Where are the lyrics to your congregational music? It used to be that the music director simply announced the page number, and everyone turned in their hymnals to the matching hymn. Everyone read the lyrics at their own reading pace, looking down at their hymn book. Today, in most worship in large Churches, the lyrics are projected onto one or more screens. Everyone looks up to read the words and sing. But how do you decide on the timing of those screens?

A number of presentation programs are geared to congregational singing. Some allow you to set the pacing by recording the sequence. Some will even match the transitions up to a “click track” or metronome beat. Most require that an operator press the “go forward” key at just the right time as the congregation is singing. How do you know the right time to change screens? That is often a matter of style.

IMHO, you should change to the next screen at the point where people are singing the last word on the last line in a slow song, or the first word of the last line in a fast song. The objective should be to give people enough time to read the next line before they have to sing it. When I have been running the lyrics, I have always sought to meet that objective precisely. It just makes it easier for people to follow along and sing.

Of course, some would argue that the congregation probably knows the lyrics anyway, so what difference does it make when you put them up? There will always be someone in the congregation that either doesn’t know the song, or is a little intimidated by singing. For those people, the lyrics are the best way to help them sing out. So the timing of the transitions does matter. For example, it would be ludicrous to switch to the next screen of words after everyone has sung them. And you want to match what the lead singer is singing, so that it reinforces their leadership.

You often have volunteers running the presentation software, so it may be difficult to be consistent. But you should strive to all be following the same rule for timing transitions. That way, people know when to expect the words to change. It will help the whole congregation sing out loud and strong!

In today’s praise, music is exciting and uplifting. But where is the organ? Churches with installed organ pipes were lifting up praise years ago. People were often awed by the majesty and power of the organ, as it filled the sanctuary with sound. Those organs still exist, but they are rarely used in worship. Why? Perhaps it is because organ music sounds traditional, and we have moved on to a contemporary sound. Or perhaps we have adopted new arrangements that call for a greater variety of musical instruments, e.g. violins. Some organs have a tremendous variety of sounds built in, but the violin is a very particular sound. Or perhaps we have just gotten tired of hearing the organ. (A lot of musicians would find that hard to believe.)

Another idea to consider is a technical perspective. Organs are often times very independent sound systems. The organist controls the volume with the swell pedal. A sound engineer is not required, and indeed they will be frustrated by the organ.  They will never be able to get a balanced blend because they do not have any way to adjust the sound of the organ pipes. Perhaps we should install some sort of over-ride sub-system, whereby the sound engineer will have control. But currently, all we have is the organist on their swell pedal. And the organist is probably wanting to be heard, so they will have the pedal down. Still, there are times when the organ should be used. What do you think those times are? For example, some of the old hymns sound best with the organ playing. It is because they are so familiar with that accompaniment. Other times, the piece was written exclusively for the organ, and hasn’t been rearranged for other instruments yet.

The organ makes a mighty sound in the sanctuary, and it is a magnificent instrument. Perhaps it still has a place.